Ulrike Meinhof

Hatred Of Convention

02/22/2002
Staff Writer

A few years ago, Jane DeLynn was having a hard time selling her most recent novel. Commercial publishers were not lining up to buy “Leash,” a nihilistic story of a lesbian’s sadomasochism, with the shocking conclusion of her opting to have her hands bound and her vocal cords cut to live her life as a dog.

An admired, if not widely known, author of three novels and a story collection, DeLynn decided her best option was to go with Semiotext(e), an obscure but influential publisher of French theory and avant-garde literature.

Hatred Of Convention

02/22/2002
Staff Writer
A few years ago, Jane DeLynn was having a hard time selling her most recent novel. Commercial publishers were not lining up to buy “Leash,” a nihilistic story of a lesbian’s sadomasochism, with the shocking conclusion of her opting to have her hands bound and her vocal cords cut to live her life as a dog. An admired, if not widely known, author of three novels and a story collection, DeLynn decided her best option was to go with Semiotext(e), an obscure but influential publisher of French theory and avant-garde literature.
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