The Jewish Week garnered two first place awards and one second-place honor in the annual Simon Rockower Journalism contest sponsored by the American Jewish Press Association.
Editor and Publisher Gary Rosenblatt won top honors for his Between the Lines column, capturing the Louis Rapoport Award for Excellence in Commentary. The three columns dealt with the day school crisis, saying Kaddish and the controversy surrounding New York Times’ columnist Roger Cohen’s writing on Iran.
The struggle to raise an emotionally healthy child in a home where one parent is more religiously observant than the other was the subtext of a lively and revealing Jewish Week Forum last night with authors Judith Shulevitz (“The Sabbath World: Glimpses of a Different Order of Time”) and Dani Shapiro (“Devotion: A Memoir”) at Cong. B’nai Jeshurun on the Upper West Side.
Judith Shulevitz’s ‘Sabbath World’ offers a thorough examination of Judaism’s weekly ritual.
Jewish Week Book Critic
In New York City, we have neither the siren that sounds in Israel on late Friday afternoons, nor the town criers who would yell “Shabbos” adamantly into the streets of Eastern European towns. But there’s a certain quality of light, the glow before twilight, which signals — confirmed by a glance at a clock — the onset of Shabbat, no matter the season.
Chrystie Sherman took the cover photograph, “Shabbat,” in Bukhara, Uzbekistan, in 2002, as part of her “Lost Futures: Journeys into the Jewish Diaspora” project. Her subject, dressed in a brocade Shabbat robe, opened the door of her family’s home to the photographer shortly before the onset of Shabbat. Later that evening, she hosted Sherman and 10 other guests for a traditional Bukharan Shabbat dinner of fragrant rice and lamb, in their courtyard under the stars. The young woman resembles the Sabbath bride of song.
On a sunny Thursday morning during Israel’s February heat wave, I boarded the No. 63 bus in Givatayim, on my way to central Tel Aviv. I took a seat near the window to admire the white city. A few stops later, as the bus started to get crowded, a young black man got on and moved to take an empty seat near the driver.
Three new books explore the Holocaust through the prism of everyday objects
Jewish Week Book Critic
Mundane objects can be the containers of powerful stories. Those objects take on a degree of holiness when they are infused with memory and loss, and are the only tangible connection to lives and times that are no more.
Three new books related to the dark history of the Holocaust, are connected to objects that have become priceless and symbolic: a cello, a child’s dress and an autograph book.
Abride prays at the Kotel, seen from behind, in a poufy white dress and cascading veil; someone with tzitzit hanging out of a pair of jeans stands next to a Jewish memorial stone in Chalkida, Greece; a brick side of a building in disrepair includes the sign “Synagoga.”
Yemenites here marking first Passover in America, but the adjustment isn't easy.
Special To The Jewish Week
This is the first Passover when Temia and her daughters won't be grinding wheat by hand and baking matzah in special wood-burning ovens, as they did in Yemen. Instead, they'll be tasting their first matzahs sold in a box, celebrating the holiday in their new homes in upstate Rockland County.
One red wine was compared to a really great passionate kiss. Another was praised as earthy, like wet leaves, like the earth itself.
Participants in the Israeli Wine Lovers Club are encouraged to share their reactions to the wines they taste, to speak about aromas, flavors, oakiness, acidity, balance and, mostly, how all of the above strikes their palettes.