From a pioneering journalist to a Jazz Baroness and beyond, all in week two of the N.Y. Jewish Film Festival.
Special To The Jewish Week
One of the most thankless tasks of a film critic is to troll around the depths and breadth of a festival looking for a theme that unites all the films on offer. Of course, the New York Jewish Film Festival’s entries all reflect on the Jewish experience in some way — “Doh,” as Homer Simpson might say — but this year there seems to be a bit more than that going on. Many, indeed most of the films in this year’s festival seem to be imbued with the spirit of a particularly resilient and indomitable Jewish womanhood. Push aside all the Jewish mother jokes, the Jewish American Princess jokes, all that self-defiling “comical” claptrap, and you find that she ferocity with which Jewish women have defended their heritage and their families is a significant reason why the Jews have survived for four millennia.
Just as they had won over some of their harshest critics, the people behind an upcoming miniseries about Adolph Hitler find themselves on the defensive again.
This week's TV Guide quotes Ed Gernon, who was executive producer of "Hitler: The Rise of Evil," as characterizing the German leader's ascent to power as a cautionary tale for Americans today.
Back in the Middle Ages, cartographers would draw maps of the world with the Holy Land in dead center, and if you never saw those maps you could pick up the Week in Review section of The New York Times and get the idea.
On one page of the section, Thomas Friedman’s column, “Obama and the Jews” was really about Israel and Friedman’s realization that those who care about Israel will be wiser to vote for the candidate “who will make America strongest ... Nothing would imperil Israel more than an enfeebled, isolated America.”