Moshe Dayan

Changing Images Muddy Picture Of Zionism, Israel

For young American Jews, it’s a long way from ‘Exodus’ to the separation wall.

05/26/2010
Staff Writer

 In 1960, the film “Exodus” was nominated for three Academy Awards. Based on Leon Uris’ novel about the founding of Israel, it seems hard to believe that such a film, drenched in Jewish military heroism and suffused with Holocaust imagery and Arab aggression, could have such broad and unambiguous appeal. But it did. It not only won an Oscar, it also starred a Hollywood icon, Paul Newman, as the heroic Jewish fighter, and even made a commendable showing at Cannes.

But almost a half-century later, a very different film about Israel won an Oscar nomination. “Waltz With Bashir,” (2008) directed by the Israeli Ari Folman, put a spotlight on the massacres at the Sabra and Shatilla refugee camps during the first Lebanon War.  

Two images of Israel, two generations: “Exodus” and “Waltz with Bashir.”

On Temple Mount, Past Is Prologue

01/05/2001
Staff Writer
On the eve of Yom Kippur, a dispute between two groups of Jews leads to a divider being placed at Judaism’s holiest accessible site, the western retaining wall of Herod’s Second Temple. But Muslim sheiks, who “own” the Wall, demand the divider be removed, calling it an unacceptable alteration to their site. They suspect that the Jews are trying to find a way to give the Wall the status of a synagogue “as a first step in taking it over.”
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