Consider Thorold Dickinson’s 1954 film "Hill 24 Doesn’t Answer" and Baruch Dinar’s landmark 1960 drama "They Were Ten." Each film has a tragic ending in which the death of Zionist patriots is a necessary prelude to the founding of a Jewish state. Then look at Uri Zohar’s "Every Bastard a King" and Joseph Millo’s "He Walked Through the Fields," both made late in 1967 (although the latter is set in 1948), both guardedly upbeat, with heroic protagonists who cheerfully rush through shot and shell to victory.
Two thumbs down. That was the consensus of a group of horrified Jewish interfaith and community leaders after watching a rough cut of Mel Gibson's controversial "The Passion."
It was the first mainstream Jewish group to screen the Hollywood star's gory recounting of the trial and death of Jesus.