There were a thousand women, and they were on their feet, swaying to a klezmer beat. The place was the Michigan Womyn’s Festival, the most successful of the many all-women’s music events that are held all summer across the United States. Isle of Klezbos was playing on the “night stage,” the primo venue at the festival, “the culmination of the whole event,” says Eve Sicular, the band’s leader and drummer. “ People told me later about how this was unlike any experience they had there.
Among klezmer and chasidic music circles, reedman Howie Leess was known as "the mountain goat."
The saxophone player "created harmony lines that were so apropos and actually adventurous, he climbed the tune like a mountain goat," said the pianist Pete Sokolow, who first met Leess in the 1960s when they played together in Jewish ensembles like Sy Kushner's Mark III and the Epstein Brothers Orchestra.
"He had ears like nobody's business," Sokolow recalled this week.