He has been a rabble-rousing Roman poet and a choreographer struggling with a recalcitrant young ballerina, a doctor battling encroaching age and hospital bureaucracy and a Nazi saboteur hanging from the Statue of Liberty by his fingernails. If you know who he is, you are a serious student of film history. If not, then you may ask – as the title of the new documentary opening on Nov. 23 bluntly puts it — “Who Is Norman Lloyd?”
Henreich Heine, the German-Jewish poet, wrote more than a century ago, ìder vorhang fallt, das stuck ist aus,î the curtain falls, the play is done. Then, in that tragic coda, the ax fell, too. Yet the drama goes on, a few German-Jews puttering around on a stage they refuse to leave, enchanted by that language.ìWir haben viel fur einander gefuhlt,î how deeply we were wrapped in each otherís lives, wrote Heine.