Two classical ensembles and a new Web site pay tribute to the music of the Shoah.
Holocaust scholars and intellectuals in allied fields have argued for most of the past six and a half decades whether there was such a thing as a cultural resistance to the Shoah. Did creating works of art in the confines of Terezin constitute a rebuke to the Nazis or an unwitting submission? In the face of such brutal inhumanity, how powerful a subversive act could a piece of music, a painting or a performance be?
Debby Hirshman, the indefatigable force behind what could be the largest Jewish community center in America (the $85 million JCC in Manhattan) was suddenly let go as its executive director last week, according to JCC officials.
"We asked for her resignation," said Peter Joseph, co-chairman of the JCC's board of directors. Joseph declined to discuss specifics whether the sudden departure was as a result of a particular incident.
Joseph said Hirshman's departure was effective Sept 29.
The Jewish Communal Fund, which has consistently been the largest single contributor to UJA-Federation, broadened the scope of its support last year with gifts to UJA-Federation's fund that supports building projects.
Noting that JCF donations in the past have been used for UJA-Federation's general operating budget, JCF's endowment committee decided also to "help the network of services to the Jewish and general community by targeting specific projects," according to Lynn Kroll, JCF's endowment committee chair.