With her latest play, Israeli theater director Rina Yerushalmi has put herself in esteemed literary company.
"Mythos," Yerushalmi's adaptation of Greek legend of the House of Atreus, follows in the tradition of Aeschylus, Euripides, Hugo von Hofmannstahl and Jean Paul Sartre, among others, who saw in the tale's cycle of bloody revenge universal themes ripe for exploration.
The surplus capital of the indefatigable 1990s economy may be a memory, but its effects are still being felt in the ongoing expansion of many of New York’s cultural centers, from Jazz at Lincoln Center to the Brooklyn Museum.
Now this trend has reached all the way to West 95th Street. Symphony Space, once housed in an intimate but sticky-floored former skating rink, has recently completed a $12 million renovation. After a nearly two-year closure, the beloved performing arts group officially reopens April 8.
Pity poor Zeno, tormented by his weakness for cigarettes, guilt about his mistress and unresolved tensions with his father. At his psychoanalyst’s suggestion, Zeno writes his memoirs, but the result is the imperfect recollection of an intelligent man blindsided by swirling desires and frozen by inhibitions.
Zeno, the prematurely aged protagonist of Italian Jewish writer Italo Svevo’s comic masterpiece “Confessions of Zeno,” deeply resonated with William Kentridge when he first read the book in college.
It was the early 1960s, and in the working-class Brighton Beach section of Brooklyn a group of young Jewish boys lived and breathed basketball.
Every moment they could, these adolescents (many first-generation Americans and the children of Holocaust survivors) would pull on their white Converse canvas sneakers and race from their cramped apartments under the elevated subway line to their fenced concrete kingdom, the 2nd Street Park.
Eric J. Greenberg is a staff writer. James D. Besser is the Washington correspondent.
Washington — Since its opening in 1993, the U.S. Holocaust Memorial Museum here has tried to position itself as a respected national institution, not an instrument of Jewish politics.
But this week it became ensnared in just what it hoped to avoid when its top lay and professional leaders spurned an administration request for an official welcome for Palestinian leader Yasir Arafat during his trip to Washington.
After pleading guilty this week to five counts of sexually abusing his young nephew over a four-year period, Cantor Howard Nevison continues to maintain that he did nothing wrong.
In an exclusive interview with The Jewish Week Tuesday (the first time he has spoken publicly about the case that made sensational headlines in 2002) Cantor Nevison said that his deal with prosecutors was akin to a "no contest" plea: "when you don't admit to anything."
They were dancing across from Lincoln Center this week.
Nearly 400 amateur Israeli folk dancers from all over the United States. And about 1,000 spectators, who took their turn on the dance floor (an exhibition hall set up for an Israeli vendors' fair) before the 55th annual Israel Folk Dance Festival and Festival of the Arts on Sunday in the auditorium of the Martin Luther King Jr. High School.
Four years after Fred Ehrman, Manhattan investment advisor and Jewish activist, took part in a campaign to change what members of the Jewish community read, he is trying to influence how they speak.
In 2002 his target was The New York Times. Convinced that the paper's Middle East coverage was prejudiced against Israel, he was a leader of an effort to have Jews stop buying the Times.