Two classical ensembles and a new Web site pay tribute to the music of the Shoah.
Holocaust scholars and intellectuals in allied fields have argued for most of the past six and a half decades whether there was such a thing as a cultural resistance to the Shoah. Did creating works of art in the confines of Terezin constitute a rebuke to the Nazis or an unwitting submission? In the face of such brutal inhumanity, how powerful a subversive act could a piece of music, a painting or a performance be?
Kaddish became a daily tradition for Mark Leinkram, a publisher-printer from Clifton, N.J., after his sister Sharon died of cancer last year. Not from an observant family, he faithfully recited the Aramaic mourner’s prayer, but didn’t understand all the meaning behind it.
Now he’s starting to learn.
Leinkram, 50, is one of the first to turn to mykaddish.com, an on-line resource guide established last week by Partners in Torah, an educational outreach organization affiliated with Torah Umesorah, and by the incubator Afikim Foundation.