People seem to love author and cultural critic Christopher Hitchens for precisely the reason other people seem to hate him: he has an opinion, and a strong one, about almost everything. His new memoir, “Hitch-22,” is chock full of them, too. And when he appeared at at the 92nd Street Y on Tuesday night, in a chat with his close friend Salman Rushdie, that fact was not glossed over.
Sixteen years later, I can still hear the sudden gasp, followed by a loud, spontaneous and mournful wail that erupted from the thousands gathered outside 770 Eastern Parkway in Brooklyn when the simple wooden casket carrying the remains of the Lubavitcher Rebbe, Menachem Mendel Schneerson, emerged from the movement’s headquarters on June 12, 1994, corresponding to the third of Tammuz (this coming Tuesday).
Metropolitan Jewish’s acquisition of two hospices
may bring palliative approach to more families.
After suffering with Alzheimer’s for seven years, Gloria Kestenbaum’s father took a turn for the worse. Following a hip replacement at Maimonides Medical Center, he lapsed into unconsciousness on the operating table. For Kestenbaum and her family, the next step was fraught with uncertainty.
PALM BEACH, Fla. (JTA) -- It’s a cool spring night, and Kathy Manning and Randall Kaplan are battling their way out of the west lawn of the sprawling bay-side mansion of Jane Goldman and Benjamin Lewis.
Manning, the chairwoman of the Jewish Federations of North America, and Kaplan, the chairman of the board of governors of Hillel: The Foundation for Jewish Campus Life, have just spent a few hours schmoozing with 80 donors, a handful of boards of trustees and several members of Hillel’s board trying to make the case for their organizations.
Peter Beinart, the former New Republic editor whose strong critique of the American Jewish establishment in a New York Review of Books essay continues to reverberate in the community, says he has been pleasantly surprised by the responses he has received from pro-Israel critics
For young American Jews, it’s a long way from ‘Exodus’ to the separation wall.
In 1960, the film “Exodus” was nominated for three Academy Awards. Based on Leon Uris’ novel about the founding of Israel, it seems hard to believe that such a film, drenched in Jewish military heroism and suffused with Holocaust imagery and Arab aggression, could have such broad and unambiguous appeal. But it did. It not only won an Oscar, it also starred a Hollywood icon, Paul Newman, as the heroic Jewish fighter, and even made a commendable showing at Cannes.
But almost a half-century later, a very different film about Israel won an Oscar nomination. “Waltz With Bashir,” (2008) directed by the Israeli Ari Folman, put a spotlight on the massacres at the Sabra and Shatilla refugee camps during the first Lebanon War.