I don’t often swoon in public, but the Morgan Library’s current exhibition “Marks of Genius: Treasures from the Bodleian Library” left me breathless. It was dizzying, standing before 57 magnificent artifacts representing 2,000 years of intellectual and artistic accomplishment, from cultures, countries and religious traditions that ranged from around the world in place and time. And among them are several of particular Jewish interest.
Posted: Wed, 06/18/2014 - 12:03 |
Posted by: Elizabeth Denlinger |
Yiddish melodrama popped up last week, just yards from the elevated tracks of the 7 train in Queens, at a theater so discreet its name is Secret. Target Margin Theater there presented Allen Lewis Rickman’s enormously enjoyable translation of Isadore Zolotarevsky’s “Gelt, Libe, un Shande” – “Money, Love, and Shame.” Once, perhaps, a play with both pain and laughter, the passage of time has rendered it pure comedy.
"The Merchant of Venice," like many of Shakespeare’s middle “comedies,” is often considered a problem play: the language is dense, the final courtroom scene fraught with near-tragedy, and for even the most casual observer, the language is steeped with anti-Semitic vitriol.
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.