Posted: Sun, 12/08/2013 - 19:14 |
Posted by: Eva L. Weiss |
The Book of Genesis’ account of Jacob’s dream is one of the defining elements of artist Ya’akov Boussidan’s conceptual design for a synagogue in the village of Tzur Haddassah, some 7.5 miles west of Jerusalem. For the artist, the simple stones that Jacob gathered at nightfall represent the fusion of the varied elements of the Jewish people. Boussidan’s synagogue design, intended for a congregation of Ashkenazic and Sephardic worshippers from varied walks of life, includes a bima (podium) that is an original composition of twelve stones, symbolizing the twelve tribes of Israel.
Cranberry sauce is left untouched on the Thanksgiving table. A mullah proposes a temporary marriage to a Jewess on a flight. A Southern woman who looks like she comes from generations of country club members is actually the daughter of an Iranian Jew.
What is beautifully presented in “Art Spiegelman’s Co-Mix: A Retrospective” at The Jewish Museum, in addition to original drawings from the “Maus” series, is the enormous range of work that Spiegelman produced beyond those volumes. Included are comic books, magazine illustrations, children’s books illustrations, political satire, trading cards and stickers, New Yorker covers, and even a collaboration with the dance group Pilobolus and a stained glass window for The High School of Art & Design, just to name a few.