Puppets are moving, but ‘Compulsion,’Patinkin are less so.
Special To The Jewish Week
She seems both alive and dead at the same time, a plucky, precocious girl whose life was tragically cut short at 15. How perfectly appropriate then, that Anne Frank is played by an amazingly life-like marionette in Rinne Groff’s “Compulsion,” a play about the Jewish writer Meyer Levin’s obsession with Anne Frank’s diary.
The New York City Ballet began its winter season last week and, as a ballet fan, I tried, as I do each year, to come up with a Jewish story about it. Alas, I always come up short.
Sure, there are stories you could write about Jewish dancers and the occasional choreographer, and I’ve done my share. But let’s be honest, there is a conspicuous absence of serious Jewish content in ballet. And it’s interesting to consider why.