You may remember the uproar Cornel West, the Zelig-like black scholar, caused last year when he viciously attacked Obama on the liberal website Truthdig. The big news was that West—a prominent voice in American public life, but especially within the black community—had turned against the man he spent much of the 2008 campaigning for. But there was a lesser-noticed quote in that interview that raised many Jewish eyebrows. Embedded in his criticism that Obama wasn’t quite black enough, he said that Obama seemed “most comfortable with upper-¬middle
It used to be the case that when you mentioned Jews and hip-hop, it was Jews who did the producing, and blacks who did the rapping. That’s changed. Now every rap great still living—which is to say, most—are running things: Jay-Z, Kanye, Lil Wayne are all producing giants. While Jews, on the other hand, are rapping: forget Matisyahu (but him too), there’s Drake and Mac Miller and, to my surprise, even DJ Drama.
This Sunday I went to see Alvin Ailey American Dancer Theater at City Center. It's the 50th anniversary of its landmark piece, "Revelations," created by the company's founder, Ailey, who died of AIDS in 1989. And each night of the company's month-long stay they're staging the work.
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.