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Arts & Culture | Theater

Crying For Argentina

05/31/2011 | Ted Merwin | Special to the Jewish Week | Theater
Ydaiber Orozco and Mariana Parma as sisters in "Memory is a Culinary Affair."

When we think of Jewish immigrants, many of us recollect those from Eastern Europe who came to New York around the turn of the 20th century. But the city continues to be a haven for Jewish immigrants from all over the world. In Graciela Berger Wegsman's "Memory is a Culinary Affair," a young Jewish woman from Argentina struggles to rebuild her life in New York as she grapples with her mother's disappearance at the hands of the military dictatorship in her country. The play opens next Thursday evening at the Red Room in the East Village.

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Wyatt Earp’s Jewish Wife Gets Her Due

05/24/2011 | Ted Merwin | Special To The Jewish Week | Theater
Frontier women: Scene from “I Married Wyatt Earp,” directed by Cara Reichel.  Gerry Goodstein

She was the wife of one of the most famous gunslingers in the history of the Wild West, but today few have heard of her. Josephine Marcus escaped her Jewish family in San Francisco and married Wyatt Earp, whose extraordinary legend she helped to craft and perpetuate. In “I Married Wyatt Earp,” an all-female musical now running Off Broadway, she finally gets her due.

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A Night In Tunisia

05/17/2011 | Ted Merwin | Special to the Jewish Week | Theater
“Saida,” with Sergei Nagony, left, Robert Tekavec and Anita Clay, is meant as a metaphor about Israeli-Palestinian relations.

Some wars are fought more in the bedroom than on the battlefield. In Tuvia Tenenbom’s new play, “Saida,” the aging leader of the Palestinian secret service (Robert Tekavec) and his young Israeli counterpart (Sergei Nagony) vie for the hand of Saida (Anita Clay), the most beautiful woman in Tunisia. An allegory for the Israeli-Palestinian conflict, “Saida” opened last weekend at the Kraine Theatre in the East Village. Jeffrey Coyne and Adam Shiri are also featured in the cast.

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Birth Pangs Of A Dad-To-Be

05/10/2011 | Ted Merwin | Theater
Alexander Chaplin and Mia Barron in Jonathan Marc Sherman’s “Knickerbocker.” Carol Rosegg

Few things in life are more stressful than becoming a parent for the first time. In Jonathan Marc Sherman’s new play, “Knickerbocker,” a 40-year-old Jewish man, Jerry (Alexander Chaplin, who played the speechwriter James Hobert on the ABC sitcom “Spin City”) comes to grips with his own fears of impending fatherhood. Directed by Pippin Parker, who chairs the playwriting department at The New School, “Knickerbocker” opens next week at the Public Theater Lab, just a few blocks away from the eponymous restaurant where it is set.

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Wedding Bell Blues

05/03/2011 | Ted Merwin | Theater
Nikki Iliopoulou, left, and Debra Zane in scene from Hanoch Levin’s black comedy “Winter Wedding.”

If what you don’t know won’t hurt you, how far should you go to keep yourself in the dark? In Hanoch Levin’s black farce “Winter Wedding,” the members of a benighted Russian Jewish family are willing to do anything, including commit murder, to blind themselves from learning that a relative has died on the eve of a long-awaited family wedding. Directed by David Willinger, the play opens this weekend at the Theater for the New City in the East Village.

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Sour Notes

04/27/2011 | Ted Merwin | Special To The Jewish Week | Theater
Israela Margalit, right, and Lori Prince,above, who plays the pianist in “First Prize.”

Classical music offers spiritual transcendence for performers and audience members alike. But as the distinguished Israeli pianist and playwright Israela Margalit suggests in her loosely autobiographical new play, “First Prize,” the classical music world is also saturated with much that is sordid and soul-destroying. “First Prize,” which begins previews this weekend at the Arclight Theatre on the Upper West Side, features music from Margalit’s own celebrated recordings with some of the world’s greatest orchestras.

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