When the Nazis invaded Holland in May of 1940, Pauline Kalker’s grandfather, Joseph Emanuel, who was Jewish, went into hiding. He moved from house to house, evading the Nazis for several months. But soon he was caught. The Nazis tortured him for three days, hoping to get information about where other Jews were hiding, but he did not crack.
They may not all have turned into Rosie the Riveter, but women’s lives certainly changed once their men went off to battle. Alan Brody’s new play, “The Housewives of Mannheim,” focuses on four Jewish women living in the same apartment house in 1944 Flatbush who find different paths to growth and fulfillment in the absence of their husbands. When “Housewives” ran last year with the same cast at the New Jersey Rep in Long Branch, Robert L. Daniels of Variety called it a “keenly constructed and beautifully acted romantic drama.”
Ted Merwin |
Special To The Jewish Week
If Andrew Lloyd Webber supersized the Broadway musical, inflating it with an operatic grandeur that distanced it from everyday life, Stephen Sondheim made it about us — our relationships, our struggles for self-esteem, our wrestlings with our yearnings and fears.