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Arts & Culture | Theater

My Brother The Chasid

04/18/2011 | Ted Merwin | Theater
Brother act: Will Allen and Joseph Sousa in scene from Sousa’s “Teeth of the Sons.” Jason Zimbler

Secular Jews often embrace Orthodoxy, and they do so for a variety of spiritual and psychological reasons. But when newfound piety creates a holier-than-thou attitude, family conflicts are typically in store. In Joseph Sousa’s first play, “Teeth of the Sons,” now being produced by the Barefoot Theatre Company in the West Village, two brothers find their relationship sorely tested one when one brother becomes a chasid.

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Preparing For The Inevitable

04/05/2011 | Ted Merwin | Special To The Jewish Week | Theater
Ronny Wasserstrom, above, stars as the title character in “Mr. M.” The production at the Theater for the New City.

Waiting for the unknown can be filled with terrors of its own. In “Mr. M,” a new work by Vit Horejs’ Czech-American Marionnette Theater, live actors and puppets combine to tell the story of a Czech Jew (Ronny Wasserstrom) during the Second World War who lives in such dread of being summoned by the Nazis that he takes on physical trials to prepare himself to undergo deprivation and torture. Adrienne Cooper performs Yiddish songs live as part of the production, which will be presented at both the Theater for the New City and at the JCC in Manhattan.

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Second Avenue Runs In The Family

03/29/2011 | Eric Herschthal | Staff Writer | Theater
In “The Thomashefskys,” Michael Tilson Thomas, recounts a good part of the history of Yiddish theater.

The triple-barreled name Michael Tilson Thomas brings to mind gentility, aristocracy even. In fact, it is sort of prophetic: the real Michael Tilson Thomas is one of America’s blue-chip composers and conductors, a debonair figure whose elegant, long limbs and silver-draped hair suit the name well.

But if Thomas had had it his way, his name would have been something quite different: Michael Thomashefsky. “Thomashefsky” was the surname that of his paternal grandparents, whose names are synonymous with American Yiddish theater.

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Mary, Quite Contrary

03/15/2011 | Ted Merwin | Theater
Scene from Michele A. Miller’s slapstick comedy “Mother of God!”

Jewish mothers are a staple of Jewish humor, but as freewheeling as Jewish mother jokes may get, they do not typically relate to Mary, mother of Jesus. Now comes Michele A. Miller’s slapstick comedy, “Mother of God!,” in which what Christians deem the “greatest story ever told” is reframed as the tale of a dysfunctional Jewish family in ancient Nazareth. The play opened last week at the Richmond Theater on East 26th Street.

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Putting A Face On Triangle Victims

03/08/2011 | Ted Merwin | Theater
Gusta Johnson and Amanda Yachechak in scene from Barbara Kahn’s “Birds on Fire.”

It happened a century ago, but the terrible memories remain seared into our collective consciousness. The Triangle Shirtwaist Factory Fire on the Lower East Side, in which 146 Jewish and Italian garment workers died, was a defining event in the history of immigrant life — and death — in New York.

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The Art Of ‘Sisterhood’

03/01/2011 | Eric Herschthal | Staff Writer | Theater
The Talmudic story called “Sota” focuses on two sisters.

There is not much ambiguity in the 14-line Talmudic story known as “Sota.” As a parable about adultery, the tale is pretty straightforward: a husband accuses his wife of cheating on him, and then orders her to drink from a special fountain with “bitter water.” If she’s guilty, she’ll die; if she’s innocent she’ll be blessed with fertility.

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