Ted Merwin |
Special To The Jewish Week
One of the most extraordinary women of our time, Dr. Ruth Westheimer almost single-handedly brought a frank discussion of sexuality to a society largely governed by Puritanical, and then Victorian, ideas about erotic pleasure. Now the compelling life history of the diminutive, German-accented powerhouse comes to the stage in Mark St. Germain’s one-woman show, “Becoming Dr. Ruth: The Unexpected Journey,” starring Debra Jo Rupp. The play, which is currently in previews, opens next week at the Westside Theatre in Midtown.
Growing up in Hamburg, Germany, in the 1980s, Lucie Pohl heard the term “Heil, Hitler” long before she knew what it meant; she thought it was a cheery, casual greeting. Her first solo show, “Hi, Hitler” is a comedic account of her chaotic upbringing as the daughter of two famous German theater artists, and her own subsequent journey to America. The hour-long show is being produced this month at a series of women’s theater festivals, with the remaining performances on Oct. 23 and 25.
Call her the Mame Dennis, or Gypsy Rose Lee, of the Bible. Of all the courageous women in the Torah, none has more moxie than Tamar, who will stop at nothing to achieve her ambition — to have a child of her own. Now the bold and wily character is the star of her own musical, “Tamar of the River,” in which the eponymous heroine contrives to bring peace to a war-torn land. Composed by Marisa Michelson, it runs through next weekend at the Baruch Performing Arts Center.
Ted Merwin |
Special To The Jewish Week.
It was anything but a model production. Soon after Donald Margulies’ Holocaust-themed black comedy, “The Model Apartment,” premiered Off Broadway at Primary Stages in 1995, its lead actor, Paul Stolarsky, repeatedly called in sick and then abruptly left the company. Another actor stepped in and, script in hand, tried to rescue the production. But the play’s run had been compromised, despite positive reviews, including one from Ben Brantley of The New York Times that called it a “glowing reminder of the particular pungency and intelligence” of Margulies’ work. Now, hoping for better luck, the same company is reviving the play; it opens next Tuesday evening in Midtown.
He was an idol to millions, and his music was the soundtrack to American life. In Bernard Kops’ 1991 play, “Playing Sinatra,” an adult Jewish brother and sister in northwest London, living together in the same flat, bond over their mutual infatuation with the Italian-American singer. A revival is now running in the East Village, with Austin Pendleton featured in the cast. It comes just two years after Cary Hoffman’s Jewish tribute to Frank Sinatra, “My Sinatra.”