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Arts & Culture | Theater

Putting A Face On Triangle Victims

03/08/2011 | Ted Merwin | Theater
Gusta Johnson and Amanda Yachechak in scene from Barbara Kahn’s “Birds on Fire.”

It happened a century ago, but the terrible memories remain seared into our collective consciousness. The Triangle Shirtwaist Factory Fire on the Lower East Side, in which 146 Jewish and Italian garment workers died, was a defining event in the history of immigrant life — and death — in New York.

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The Art Of ‘Sisterhood’

03/01/2011 | Eric Herschthal | Staff Writer | Theater
The Talmudic story called “Sota” focuses on two sisters.

There is not much ambiguity in the 14-line Talmudic story known as “Sota.” As a parable about adultery, the tale is pretty straightforward: a husband accuses his wife of cheating on him, and then orders her to drink from a special fountain with “bitter water.” If she’s guilty, she’ll die; if she’s innocent she’ll be blessed with fertility.

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Guess Who’s Coming To (Shabbos) Dinner?

03/01/2011 | Ted Merwin | theater
Olivia Rorick, MacLeod Andrews and William Green in scene from “Besharet.”

The question of whether people can escape their fate is at the center of Chana Porter’s new play, “Besharet” (the Yiddish word for destiny). In the play, the inaugural production of AliveWire Theatrics, an encounter with the supernatural upends the lives of a Jewish attorney and his wife, causing deeply submerged memories and feelings to erupt. “Besharet” opens this weekend at P.S. 122 in the East Village.

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Anne, With Strings Attached

03/01/2011 | Ted Merwin | Special To The Jewish Week | Theater
Hannah Cabell, Mandy Patinkin and the life-like marionette portraying Anne Frank in “Compulsion.” Joan Marcus

She seems both alive and dead at the same time, a plucky, precocious girl whose life was tragically cut short at 15. How perfectly appropriate then, that Anne Frank is played by an amazingly life-like marionette in Rinne Groff’s “Compulsion,” a play about the Jewish writer Meyer Levin’s obsession with Anne Frank’s diary.

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Matthew Lopez’s Ambivalent Seder

02/22/2011 | Ted Merwin | Special To The Jewish Week | Theater
Jay Wilkison, André Braugher and André Holland in the pivotal scene from Matthew Lopez’s “The Whipping Man.”

Passover is, for many of us, an unequivocally joyful holiday. The tablecloth is set with fine china and sparkling silverware, the children are freshly scrubbed, and the seder rejuvenates us with its theme of freedom and rebirth.

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Meyer Levin’s ‘Obsession’

02/15/2011 | Ted Merwin | Special To The Jewish Week | Theater
Anne Frank, as puppet, and Mandy Patinkin in scene from "Compulsion."

He was one of the leading literary lights of the 20th century, but it was another writer’s work that became the object of his obsession. Meyer Levin was a prolific Jewish writer who struggled fruitlessly for three decades to get the world to pay attention to his play about Anne Frank. Now, three decades after his death, Levin finally gets his due with two different plays about his quest on view simultaneously in New York.

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