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Arts & Culture | Theater

Parlor Room Drama

04/23/2013 | Ted Merwin | Special To The Jewish Week | Theater
Victoria Castle, Don Arrington, Tony Rossi and Sam Heldt in "The Invention of the Living."

Moving to the suburbs was one of the biggest steps that many New York Jews ever took, one largely made possible by postwar Jewish builders and entrepreneurs. But what about those who could not afford to move?

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An Upper West Side Family Comes Unglued

04/16/2013 | Ted Merwin | Special To The Jewish Week | Theater
Jessica Hecht , Jeremy Shamos, and Judith Light star in Richard Greenberg’s “The Assembled Parties.”

What is the spiritual inheritance that children receive from their parents?

In Richard Greenberg’s new play, “The Assembled Parties,” an Upper West Side Jewish family sees its wealthy assimilated lifestyle destroyed by infidelity, heartbreak and loss. Lynne Meadow directs a star-studded cast, which features Judith Light, Jessica Hecht, Jeremy Shamos, Jonathan Walker and Mark Blum. The play opened this week at the Manhattan Theatre Club.

Greenberg’s earlier plays include the Tony Award-winning “Take Me Out,” about a gay Major League Baseball player; “The American Plan,” about Holocaust survivors in America; and “Three Days of Rain,” nominated for the 1998 Pulitzer Prize in Drama. His adaptation of Truman Capote’s “Breakfast at Tiffany’s” opened last month on Broadway and the musical theater version of the 2002 film, “Far From Heaven,” for which he wrote the book, debuts in May at Playwright’s Horizons.

In “The Assembled Parties,” the Bascovs, who live in a 14-room apartment on Central Park West, gather for Christmas dinner in 1980, and then again exactly three decades later. While Julie (Hecht) and her sister-in-law, Faye (Light) seem to have everything in hand, a house guest (Shamos) who is a college friend of Julie’s son, stumbles upon family secrets that revolve around a mysterious ruby necklace. By the turn of the millennium, the family has become unglued, and it will take great ingenuity to meld the pieces back together.

In an e-mail, Meadow told The Jewish Week that Greenberg’s new play is about “the intricacies of families, both the ones into which we are born and those that we choose to create. It’s about aspiration, which is put upon and felt by youth, but is often compromised in later life.” By following the same characters over the course of decades, Meadow noted, Greenberg is able to comment on “how impossible it is to predict what will happen to us in our lives — the reversals, the transformations, the unexpected twists and turns.”

Greenberg is often drawn to Jewish themes, Meadow pointed out, especially those connected to secular New York Jews — people who, “as they have prospered, have strayed from being observant in the traditional ways.” But the play also deals, she said, with the “eternal human concern of how we deal with the beginning and ending of life — of our own, and of those we love.”

“The Assembled Parties” is at the Samuel J. Friedman Theatre, 261 W. 47th St.. Performances are Thursday-Saturday at 8 p.m., Tuesday and Wednesday at 7 p.m. There are also Wednesday, Saturday and Sunday matinees at 2 p.m. For tickets, $67-120, call Telecharge at (212) 239-6200 or visit www.telecharge.com.

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A Slimmed-Down ‘Fiddler’

04/09/2013 | Ted Merwin | Special To The Jewish Week | Theater
“Fiddler on the Roof” will be performed in Rockville Centre and at Lehman and Brooklyn colleges.

True to its vertiginous title, “Fiddler on the Roof” has become the most elevated and exalted of all Jewish musicals. Now comes a touring production of “Fiddler” that seeks to bring the musical down to earth with a focus on the show’s simpler, purer aspects rather than its larger-than-life qualities.

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Simon Wiesenthal, The Play

04/03/2013 | Ted Merwin | Special To The Jewish Week | Theater
Tom Dugan portrays Nazi-hunter Simon Wiesenthal in one-man show at 92nd Street Y.

If anyone had the whiff of heroism about him, it was Simon Wiesenthal, the Austrian Jewish Holocaust survivor who became the world’s most famous Nazi hunter.

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String Theory

03/19/2013 | Ted Merwin | Special To The Jewish Week | Theater
One of the intimate stars of “King Executioner,” at the Theater for the New City.

Puppets may be lifeless objects, but in the right hands, they command extraordinary emotional power. So veteran puppeteer and playwright Vit Horejš has demonstrated time and again with his Czechoslovak-American Marionette Theater, which returns this week with “King Executioner.” It’s a mysterious fable about a friendship between a Jewish musician and a young member of the Polish resistance at the outbreak of the Second World War.

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‘Dybbuk,’ The Prequel

03/12/2013 | Ted Merwin | Special To The Jewish Week | Theater
The multicultural cast of “The (*) Inn,” which runs through March 30 at the Abrons Art Center. Courtesy of Target Margin Theater

Call it a play that dares not speak its name.

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