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Arts & Culture | Theater

Guess Who’s Coming To (Shabbos) Dinner?

03/01/2011 | Ted Merwin | theater
Olivia Rorick, MacLeod Andrews and William Green in scene from “Besharet.”

The question of whether people can escape their fate is at the center of Chana Porter’s new play, “Besharet” (the Yiddish word for destiny). In the play, the inaugural production of AliveWire Theatrics, an encounter with the supernatural upends the lives of a Jewish attorney and his wife, causing deeply submerged memories and feelings to erupt. “Besharet” opens this weekend at P.S. 122 in the East Village.

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Anne, With Strings Attached

03/01/2011 | Ted Merwin | Special To The Jewish Week | Theater
Hannah Cabell, Mandy Patinkin and the life-like marionette portraying Anne Frank in “Compulsion.” Joan Marcus

She seems both alive and dead at the same time, a plucky, precocious girl whose life was tragically cut short at 15. How perfectly appropriate then, that Anne Frank is played by an amazingly life-like marionette in Rinne Groff’s “Compulsion,” a play about the Jewish writer Meyer Levin’s obsession with Anne Frank’s diary.

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Matthew Lopez’s Ambivalent Seder

02/22/2011 | Ted Merwin | Special To The Jewish Week | Theater
Jay Wilkison, André Braugher and André Holland in the pivotal scene from Matthew Lopez’s “The Whipping Man.”

Passover is, for many of us, an unequivocally joyful holiday. The tablecloth is set with fine china and sparkling silverware, the children are freshly scrubbed, and the seder rejuvenates us with its theme of freedom and rebirth.

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Meyer Levin’s ‘Obsession’

02/15/2011 | Ted Merwin | Special To The Jewish Week | Theater
Anne Frank, as puppet, and Mandy Patinkin in scene from "Compulsion."

He was one of the leading literary lights of the 20th century, but it was another writer’s work that became the object of his obsession. Meyer Levin was a prolific Jewish writer who struggled fruitlessly for three decades to get the world to pay attention to his play about Anne Frank. Now, three decades after his death, Levin finally gets his due with two different plays about his quest on view simultaneously in New York.

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Black And Jewish, Searching For Home

02/15/2011 | Theater
Lian Amaris’ “Daddy’s Black and Jewish” explores the impact her adoptive father, Julius Lester, has had on her identity.

How are children affected by a parent’s racial and religious identities? In Lian Amaris’ new one-woman play, “Daddy’s Black and Jewish,” which premieres next week in the East Village, the performance artist reflects on her relationship with her adoptive father, the radical black intellectual Julius Lester, who converted to Judaism in 1982.

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Freedom Seder?

02/01/2011 | Ted Merwin | Special To The Jewish Week | Theater
Jay Wilkison, André Braugher and André Holland in Matthew Lopez’s “The Whipping Man.”

With its overarching message of freedom and redemption, Passover seems better suited to America than any other Jewish holiday. And one of the most striking aspects of Passover in this country is the appeal that it has for non-Jews, especially African-Americans

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