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Arts & Culture | Theater

Kill The Jews — Satirically Speaking

05/01/2012 | Ted Merwin | Special To The Jewish Week | Theater
Scene from “A Modest Suggestion,” a satire of Swiftian proportions about the Holocaust.

Hannah Arendt was deadly serious when she coined the term “the banality of evil” to refer to the matter-of-factness with which the Nazis committed genocide. But in the hands of playwright Ken Kaissar, the contemplation of the mass murder of the Jews becomes a springboard for outrageous satire. His play, “A Modest Suggestion,” opens next week in Midtown, and it features Jeff Auer, Bob Greenberg, Ethan Hova, Russell Jordan, Jonathan Marballi and Robert W. Smith.

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The Shoah, Then And Now

04/24/2012 | Ted Merwin | Special To The Jewish Week | Theater
Lynn Cohen as Rose, a Holocaust survivor, in Rivka Bekerman-Greenberg “Eavesdropping on Dreams.” Francisco Solorzano

Even as the Holocaust recedes into the distant past, its effects are as potent as ever. So suggests Rivka Bekerman-Greenberg in her new play, “Eavesdropping on Dreams,” in which a survivor’s toxic trauma is passed along not just to her daughter, but to her granddaughter as well. Produced by the Barefoot Theatre Company, the play is running through mid-May at the Cherry Lane’s Studio Theatre.

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Waiting For The Right Holocaust Angle

04/24/2012 | Eric Herschthal | Staff Writer | Theater
In “Ghosts in Princeton,” Kehlmann, tells the tale of mathematician Kurt Godel, who the Nazis mistakenly believed was Jewish.

For the past 15 years — which is to say his entire career — the German novelist Daniel Kehlmann, 37, has not written about Jews. In fact, none of his work — from his first novel, published when he was 22 and still in college, to his fifth, titled “Measuring the World” (2006) and Germany’s best-selling novel in more than two decades — even alluded to Nazis or Hitler.

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Last Chance For Compassion?

04/17/2012 | Ted Merwin | Special To The Jewish Week | Theater
Miriam Kulick plays a number of characters, including a 90-year-old, in her one-woman show, “Open Hearts.”

Is it ever too late to love and forgive? For Sadie Nussbaum, the crusty Jewish nonagenarian at the center of Miriam Kulick’s new one-woman show, “Open Hearts,” summoning up compassion may require every last ounce of her emotional strength.

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A ‘Sassy’ Jewish Actress, Cured By Globetrotting

04/10/2012 | Ted Merwin | Special To The Jewish Week | Theater
"Sivan Hadari's new one-woman play documents her journeys to the unlikeliest of places."

After a teacher told her she didn’t have the talent to succeed, Sivan Hadari, an American-Israeli actress who now lives in New York, traveled the world to free herself of debilitating self-doubt.

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A Cross-Dressing Judith

04/03/2012 | Ted Merwin | Special To The Jewish Week | Theater
Charles Busch as Judith of Bethulia in his gender-bending play.

She saved her people with an incredible feat of daring and determination. Judith of Bethulia’s seduction and beheading of the Assyrian general Holofernes has inspired paintings, films and countless other works of art. Now comes Charles Busch’s cross-dressing romp, “Judith of Bethulia” at the Theater for the New City, in which the biblical heroine, performed by the playwright, becomes a gleeful combination of Sarah Bernhardt, Mae West and a modern Jewish mother. The 10-member cast includes Jennifer Cody, Jennifer van Dyck, Mary Testa, Billy Wheelan and John Wojda.

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