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Arts & Culture | Music

Her Grandma’s Back Pages

09/15/2010 | George Robinson | Special To The Jewish Week | Music
Clair Burson's “Silver and Ash,” is based on her grandmother’s experience escaping Nazi Germany.

Singer-songwriter Clare Burson confronts the ‘rupture’ in her family’s life with ‘Silver and Ash.’

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Strong Jewish Women, The CD: Galeet Dardashti's 'The Naming'

09/08/2010 | George Robinson | Special to the Jewish Week | Music
Galeet Dardashti

Galeet Dardashti, founder of the all-woman band Divahn, never set out to be a Jewish feminist icon or spokeswoman. She just wanted to follow in the footsteps of her highly musical family.

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Generations Of Yiddish Song

07/27/2010 | George Robinson | Special To The Jewish Week | Music
Adrienne Cooper performs next week at Damrosch Park as part of the “Music for a Better World” show.

Fifty years ago, Yiddish was generally considered a dying language or one that was already dead if still upright. The Shoah and the Gulag had taken a dreadful toll on Yiddish speakers, readers and writers. Isaac Bashevis Singer was much feted as the last of his tribe (although the brilliant poet Abraham Sutzkever would live until 2009), and Yiddish-based musical forms were considered museum pieces.

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Klezmer's 'Woody Guthrie' Celebrated

07/20/2010 | George Robinson | Special To The Jewish Week | Music
German Goldenshteyn

The late jazz writer Gene Lees frequently remarked that jazz musicians tended to speak the way they played.

The same seems to have been true of German Goldenshteyn, the great klezmer clarinetist and a man who was a veritable human archive of the rich musical heritage of Bessarabia. Goldenshteyn, who died in 2006, was a Yiddish speaker whose inflections had a lilting, melodic rise and fall and a rhythmic precision not unlike his solos.

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Copland’s Journey From Brooklyn To The Prairie

07/06/2010 | Robert Goldblum | Managing Editor | Music
In “The Tender Land,” Aaron Copland was influenced by Walker Evans’ photographs of the American South.

Aaron Copland grew up in the cramped quarters of Brooklyn, the child of Lithuanian Jewish immigrants, but in his music he lit out for the territory. The architecture of city life — Deco skyscrapers and imposing Beaux-Arts museums — defined his early life, but in his music he sought sanctuary in the prairie.

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Israeli Jazzman’s Southern Swing

06/28/2010 | Steve Lipman | Staff Writer | Music
Amir Gwirtzman

Growing up along the shores of the Mediterranean, where a football is round and the sport is played by men in shorts on a grass-covered pitch, you don’t learn much about the huddling, helmeted brand of the NFL game beloved on the bayou.

But Amir Gwirtzman is a quick learner.

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