David Wander makes books that might be 50 feet long, illustrating biblical and other stories with great artistic skill, creativity and appreciation of the text and its layers of meaning. One page leads to the next, and the handmade books fold up like accordians.
Caroline Lagnado |
Special To The Jewish Week
Thanks in part to the popular television show “Mad Men,” a new generation has fallen in love with mid-century modernist design. An exhibit now on view at The Museum of Jewish Heritage called “Designing Home: Jews and Midcentury Modernism” is the first show of its kind to recognize Jews’ accomplishments and contributions to the design style that swept the nation during this “Mad Men” era. It explores the impact Jewish designers had in shaping the streamlined, less-is-more aesthetic in the United States. Not only a “who’s who” of important immigrant and first-generation Jewish designers, the exhibit also acknowledges the importance of the institutions that fostered their creativity.
In between an experiential installation about walking on the moon and a World War II film screened on a wall of old prison lockers, some very challenging art on the Holocaust is on view this month at Hauser & Wirth, an Upper East Side gallery.
On June 2, 1864, President Abraham Lincoln issued a parole pass to Charles Jonas, a Confederate prisoner of war, to return to Illinois to see his father on his deathbed. The soldier arrived in Quincy just in time to see his father, Abraham Jonas, still alive.
In the lush greens of a great Tabor oak tree, 24 species of birds perch in their finery, with a black stork, a great white egret and a black-crowned night heron poised in the reeds below, and a yellow-breasted bird in mid-air. The tree is indigenous to the Middle East, and each of these birds is native to the Land of Israel or part of the large migration of birds that flies over in the spring and fall.
The Jewish Museum’s new exhibition, “Helena Rubinstein: Beauty is Power,” is about biography and art, telling an uncommon life story and showcasing the spectacular art collected over a lifetime and reassembled here. What links the personal history and 200 objects is Rubinstein’s own pioneering, eclectic and highly inclusive take on beauty.