In between an experiential installation about walking on the moon and a World War II film screened on a wall of old prison lockers, some very challenging art on the Holocaust is on view this month at Hauser & Wirth, an Upper East Side gallery.
On June 2, 1864, President Abraham Lincoln issued a parole pass to Charles Jonas, a Confederate prisoner of war, to return to Illinois to see his father on his deathbed. The soldier arrived in Quincy just in time to see his father, Abraham Jonas, still alive.
In the lush greens of a great Tabor oak tree, 24 species of birds perch in their finery, with a black stork, a great white egret and a black-crowned night heron poised in the reeds below, and a yellow-breasted bird in mid-air. The tree is indigenous to the Middle East, and each of these birds is native to the Land of Israel or part of the large migration of birds that flies over in the spring and fall.
The Jewish Museum’s new exhibition, “Helena Rubinstein: Beauty is Power,” is about biography and art, telling an uncommon life story and showcasing the spectacular art collected over a lifetime and reassembled here. What links the personal history and 200 objects is Rubinstein’s own pioneering, eclectic and highly inclusive take on beauty.
George Robinson |
Special To The Jewish Week
The faces look out at you, some shy, some defiant, some amused, some even downright playful. They are men and women, children and the elderly. It’s the late-1920s, the 1930s, these are Jews living in the Poland of the late-1920s and ’30, and although neither they nor the American citizens filming them know it, they are doomed. The images bespeak a flourishing culture, but by the end of the Second World War, 90 percent of Polish Jews will have been murdered by the Nazis and their accomplices.