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Arts & Culture | Museums

Roman Holiday

05/17/2011 | George Robinson | Special To The Jewish Week | Museums
Claudio Maestro Di Segni, left, leads the choir at the Tempio Maggiore in its U.S. debut Sunday.

When it was home to the greatest empire the world had yet known, it was said that all roads led to Rome. To build that empire meant sending the city’s sons across much of the known world, yet at least one group remained there unmoved, despite a history of (not always voluntary) wandering.

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Hannah Senesh And The Case For Moral Courage

12/21/2010 | Eric Herschthal | Staff Writer | Museums
Hannah Senesh in Budapest, circa 1936.

There is no reason to think that a wealthy girl in Europe, enrolled in a fine private school, would give it all up to live in a hot and fetid desert. But this was Hungary in 1939. The Nazis were sitting on its border, and that privileged girl was a Jew. More important, she was Hannah Senesh, a precocious teenager whose breathtaking facility with words was matched only by her profound moral courage.

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Putting The Jewish In The Jewish Museum

12/14/2010 | Eric Herschthal | Staff Writer | Museums
Rosenbaum has been widely praised for mounting shows that are intellectually serious, entertaining and sometimes controversial.

During the 1960s, The Jewish Museum was at the vanguard of the contemporary art world, mounting career-defining shows for artists like Jasper Johns and Robert Rauschenberg. In those days many in the emerging art world were Jews — artists like Mark Rothko and Diane Arbus, the dealer Leo Castelli, the critic Clement Greenberg (though not Rauschenberg and Johns) — and the museum made it its mission to champion their work.

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Abraham’s Children: Alone, Together

10/26/2010 | Eric Herschthal | Staff Writer | Museums
An Italian marriage contract, or ketubah, from 1782, featuring images of the Abraham’s Binding of Isaac.

One approaches “Three Faiths: Judaism, Christianity, Islam,” a new exhibit of religious texts at The New York Public Library, with caution. The animating idea might cause you to roll your eyes at its surface naiveté: at a time of heightened tensions among Muslims, Jews and Christians, the curators suggest we should emphasize what we all share in common.

Or should we?

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The Canvas Of Jewish Feminism

09/15/2010 | Caroline Lagnado | Special To The Jewish Week | Museums
Miriam Schapiro’s “Fanfare,” from 1958, was part of one of The Jewish Museum’s earliest shows focusing on women’s art.

What is the connection between Judaism, feminism and art?

Though it's on the view at The Jewish Museum, “Shifting the Gaze: Painting and Feminism” is not a survey of Jewish feminist art. Rather, through a concise presentation of just 33 works — most of them paintings — as well as through a searchable website accompaniment, it is a brief look at the museum’s sometimes complicated relationship with women artists.

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The Pursuits of Maira Kalman

04/07/2010 | Eric Herschthal | Staff Writer | Museums
An gouache painting by Maira Kalman, titled  “Israel Bed” (2008).

When Barack Obama won the presidency, Maira Kalman was thrilled. It was not only a fresh start for America, she thought, but one for her own work as well: The New York Times was looking for another assignment for Kalman after her wildly successful illustrated blog, “The Principles of Uncertainty,” which documented her own life, debuted in 2006.

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