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Arts & Culture | Film

Kipa Cat

12/05/2012 | George Robinson | Special To The Jewish Week | Film
Scene from “The Rabbi’s Cat,” at the International Children’s Film Festival.

What has been missing from the tidal wave of animated features released theatrically in the past decade is the anarchic wit of the great Warner Brothers cartoons of the 1940s and ’50s. Somehow it is less than surprising that one of the rare examples of that kind of manic energy and total disregard for propriety comes from outside the U.S., but Joann Sfar’s “The Rabbi’s Cat” is precisely the kind of film that our homegrown animation directors seem incapable of making now.

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About Wagner, Fry Buries His Ears In The Sand

12/04/2012 | George Robinson | Special To The Jewish Week | Film
Stephen Fry listens to a performance of Wagner’s “Träume,” at the Villa Wesendonck in Zurich. Photos courtesy of  Wavelength Fil

If they recognize his name, most Americans will think of Stephen Fry as the brilliant comic actor who has frequently paired with Hugh Laurie (of “House” fame), or the Anglo-Jewish polymath whose BBC excursions have covered everything from the mysteries of the English language to the peculiarities of American society. He’s a novelist and a stage actor of note. That Fry is Jewish and also a great lover of the music of Richard Wagner seems a contradiction; and it is the subject of a new film, “Wagner & Me,” which opens on Dec. 7.

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A Lens On Alt-Jews

12/04/2012 | George Robinson | Special to the Jewish Week | Film
“Punk Jews” producer Evan Kleinman filming Y-Love, the African-American-Jewish hip hop artist.

“Punk Jews,” the new documentary having its world premiere at the JCC in Manhattan on Dec. 11, has the peculiar feel of a version of “60 Minutes” concocted by the demented offspring of some MTV producer and a wonder-working chasidic mystic. Only an hour long, the film is the work of a team of Emmy Award-winners, led by director Jesse Zook Mann, and it definitely looks like a pilot for an expansive TV news magazine-type show, although it is hard to imagine what audience demographic it would attract.

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When Gottfried Met Hanoch

11/27/2012 | George Robinson | Special to the Jewish Week | Film
Gottfried Helnwein painting in his Los Angeles studio, in scene from "Dreaming Child." Courtesy First Run Features

The collaboration of world-class painters and opera companies is an old story by now, but remains a fascinating object of study nonetheless. Chagall, Hockney, Dali, Cocteau, Picasso — the list of those who designed opera sets encompasses some of the greatest visual artists of the 20th century.

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Courting Controversy

11/15/2012 | George Robinson | Special to the Jewish Week | Film
“The Law in These Parts” director Ra’anan Alexandrowicz. Courtesy of Cinema Guild

The legal system of the occupied West Bank is something of a conundrum. The tenets of international law that govern the actions of an occupying power are fairly straightforward, but they weren’t designed for a situation that has lasted 45 years.

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‘A Happy Childhood In A Sea Of Blood’

11/13/2012 | George Robinson | Special to the Jewish Week | Film
Niklis Frank has written a scathing book about his father, Hans Frank, head of the Nazi government in occupied Poland.

The Torah enjoins us to honor our parents. But if your forebears were monstrous criminals who killed hundreds of thousands, even millions, what is your responsibility?

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