Arts & Culture | Film

Chaplin’s Splendid Audacity

07/27/2010 | George Robinson | Special To The Jewish Week | Film

I believe it was William L. Shirer who said that if someone had pulled down Adolf Hitler’s pants in public in 1923 he never would have become Reichschancellor. Ridicule, in the right hands, is a powerful weapon. That was probably what was going through Charles Chaplin’s mind when he began work on “The Great Dictator” in 1938.

‘I’m Always Hiding Behind My Stories’

07/20/2010 | Steve Lipman | Staff Writer | Film

For the first years of his life in communist Romania, Radu Mihaileanu couldn’t understand why his grandmother, who lived with his family, prepared her own meals in her own pots and pans.

The Jews Of ‘Restrepo’

06/30/2010 | Doug Chandler | Film

His parents gave Misha Pemble-Belkin a pacifist, “hippie” upbringing, forbidding him and his two brothers from playing with toy guns or watching violent films.

But both of them, including his Jewish father, were “very proud” that he enlisted in the Army, says their son, now a sergeant at Fort Polk, La., and one of 11 soldiers interviewed in “Restrepo,” a new documentary about one company’s grueling tour of duty in Afghanistan.

A Holocaust Documentary With A Difference

06/30/2010 | George Robinson | Special To The Jewish Week | Film

When the Second World War broke out, the town of Sokal, then in Poland, had a population that included 6,000 Jews. By 1944, only 30 were still alive. Fifteen of them were being hidden in an attic and a hayloft over a pigsty by Francisca Halamajowa and her daughter Helena.

Israel’s Black Panthers Remembered

06/29/2010 | Eric Herschthal | Staff Writer | Film

Shortly after Israel’s victory in the War of Independence, the Jewish state took in a mass exodus of Jews from Arab lands, first in 1949, and then again in 1956.

Jews from Arab lands, called Mizrahim, came to Israel not because they were ardent Zionists, but because their host Arab countries, angered by the establishment of the State of Israel, had turned against them.

Feeling Phil Spector’s Pain

06/22/2010 | George Robinson | Special To The Jewish Week | Film

Among the myriad ways in which Jews became Americans in the 20th century, one of the most felicitous was their involvement in the creation of popular music. The overwhelming presence of Jewish-Americans in the pages of the Great American Songbook is proverbial. Even a gilt-edged WASP like Cole Porter prided himself on “writing Jewish.”