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Arts & Culture | Film

Movies Around The Clock

01/10/2012 | George Robinson | Special to the Jewish Week | Film
A scene from Joseph Madmony’s “Restoration,” about an antique furniture craftsman whose business is on the verge of bankruptcy.

Jewish thought tends to classify time in highly specific quantities: seven days from Shabbat to Shabbat, 49 days of counting the Omer, generation to generation.

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Identity In The Spotlight

01/03/2012 | George Robinson | Special to the Jewish Week | Film
Scenes from “Mabul,” above, and “400 Miles to Freedom,” two selections in this year’s New York Jewish Film Festival.

Identity is who we are, what we are. For Jews, identity is complicated, the product of 4,000 years of history, several thousand years of exile across the entire globe, initiating contact with people and cultures unlike our own. The result of all that intermingling is the savory stew that is Jewish culture, and a principal theme of the first week of this year’s New York Jewish Film Festival.

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Putin’s Prisoner

11/23/2011 | George Robinson | Special to the Jewish Week | Film
Mikhail Khodorkovsky, the former head of the Yukos oil company, who has been imprisoned in Siberia.

Russian history in the past century has consisted of a series of leaps from the frying pan of czarist rule into a relentless series of fires of varying degrees of infernal intensity.

The “return” to power of Vladimir Putin — does anyone really think he was away? — bodes ill for any dream of positive change in the former Soviet Union. It certainly spells continued prison time for Mikhail Khodorkovsky, the former head of the Yukos oil company, who has been imprisoned in Siberia for more than seven years on charges of tax evasion.

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What Lies Beneath

11/15/2011 | George Robinson | Special to the Jewish Week | Film
Ella Prince, a Maidanek survivor, returns to the Polish camp many years after their escape. ©2011 Unfinished Business One, LLC

The objects themselves are insignificant. Seven gold coins, a dirt-encrusted wristwatch, a bracelet. Taken together, they might be worth several hundred dollars but their value really can only be calculated in human suffering and the power of memory.

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Behind Heifetz’s Genius

11/11/2011 | George Robinson | Special to the Jewish Week | Film
Jascha Heifetz

Genius is pure enigma. It has been called “an infinite capacity for taking pains,” but that quality describes drudgery too. There must be some inexplicable spark, some breath of the Divine that transforms mere technical perfection, simple virtuosity into something transcendent.

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The Melancholy Israel Film Festival

11/01/2011 | George Robinson | Special to the Jewish Week | Film
The festival’s opening-night film, “Dolphin Boy,” right. Below, the BBC production “The Promise.”

The overriding tone of this year’s edition of the Other Israel Film Festival is one of melancholy, tinged with a degree of exhaustion. It is as if the intractable problems of the Jewish state and its Palestinian neighbors have worn down all the participants, the ossified positions that all sides have taken for so long have become so deeply ingrained that they seemingly will not admit the possibilities of positive change.

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