Arts & Culture | Film

A New Perspective On ‘The Roundup’

11/13/2012 | George Robinson | Special To The Jewish Week | Film

The degree to which European nations have acknowledged their complicity in the crimes of the Nazis varies wildly to this day. Allowing for the comparative size of its film industry, you can tell by the degree and number of feature films on the subject that a country produces just how willing it is to deal with guilt for the murder of six million Jews.

‘Otherness’ Moves Beyond Israel

11/06/2012 | George Robinson | Special to the Jewish Week | Film

Emmanuel Levinas, one of the central Jewish thinkers of the 20th century, argued that by seeing the face of another we are forced to acknowledge our involvement with the Other. As Levinas writes in one of the most famous passages in his work, such a vision involves recognition of a shared humanity and a shared mortality.

The High Priestess of Anarchy

10/23/2012 | Ted Merwin | Film

“Anarchism,” the Lithuanian Jewish activist Emma Goldman predicted in her autobiography, “will make an end to the struggle for the means of existence.” In Lorna Lable’s one-woman show, “Emma Goldman: My Life,” a poor girl’s dream to free all of humanity from suffering and want comes vividly to life.

Are You My Mother?

10/23/2012 | George Robinson | Special to the Jewish Week | Film

This weekend sees the theatrical opening of a rather oddly assorted trio of Jewish films: a thoughtful if rather conventional historical documentary, a melodrama that takes on the Israeli-Palestinian conflict as literal family feud and a beautifully wrought mood piece that mixes lush visuals with starkly private emotional states to considerable effect.

The Departed

10/16/2012 | George Robinson | Special to the Jewish Week | Film

Mishpokhe. Familia. Family. Oy.

Israeli documentary filmmaker Arnon Goldfinger knows from family. His first major film released in the United States was “The Komediant” (2002), about the great Yiddish entertainer Pesach Burstein and his extended family, seemingly all of which was also on the musical stage. His latest film, “The Flat,” which played Tribeca and opens theatrically on Oct. 19, forces him to focus closer to home, on his own (over-) extended family, and he does so to great effect.

‘Simon And The Oaks’ Has Too Many Branches

10/11/2012 | George Robinson | Special To The Jewish Week | Film

The nuclear family breeds secrets, lies, resentment and anguish. The Jews have known that since Eve enticed Adam with a lunch snack. The entire book of Genesis is a catalog of such behaviors, and it could be argued that all Western literature has followed its example. It would be absurd to expect filmmakers to do otherwise.