Silver Spring, Md. — If, as President Kennedy famously said, “A journey of a thousand miles must begin with a single step,” Eric Weiner’s journey of tens of thousands of miles began with a single question.
The summer house in Lenox, Massachusetts where Joshua Henkin’s accomplished new novel is set has a tennis court out back, a garden, and, on its interior walls, street maps of Paris, Kathe Kollwitz etchings and faded portraits of great-grandparents. Family history also spills out of closets, with sports equipment of earlier eras, a never-worn wedding dress (the engagement was broken), outgrown sneakers and spare flip-flops.
Sandee Brawarsky |
Jewish Week Book Critic
In an interview, Joy Ladin begins several responses, “When I started living as myself…” For the Stern College professor, poet and author, the boundary between then and now, between living a lie and leading an authentic life, is her transition from man to woman.
Jerome A. Chanes |
Special To The Jewish Week
We Jews, traditionally, are an ahistoric people. That’s not to say that we don’t have a history; praise the Lord, we have plenty! But the rabbis of the Talmud did not see their job as doing history. For the rabbinic leaders and decisors of old, history was not front and center; the rabbinic leadership asked not “What happened?” but rather “How can we set a context, a chronological order, for the events in the Hebrew Bible and by extension for the halacha, the normative system that governs the life of the individual and the community?”
George Robinson |
Special to the Jewish Week
The concept of “tikkun olam” — repairing the world — is a central tenet of Judaism. It is also, not infrequently, an excuse for critics like your humble servant to shoehorn texts and art that are not obviously Jewish into the pages of a Jewish newspaper. But there are times when the connection between Jewish identity, social justice work and the arts is so palpable that to ignore it would be more foolish than to proclaim it.