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Arts & Culture | Theater

Kenny Solms Confronts His Demons

08/24/2010 | Ted Merwin | Theater
Peter Scolari as a gay sitcom writer facing a midlife crisis in “It Must Be Him.” Carol Rosegg

When do we stop looking for love in all the wrong places?

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Separation Anxiety: "Secrets of the Trade"

08/11/2010 | Ted Merwin | Special to the Jewish Week | Theater
Secrets of the Trade

Our parents may be our first and most important teachers, but part of growing up is finding new mentors who can point us toward success in our careers. In Jonathan Tolins’ new play, “Secrets of the Trade,” set in the 1980s, a theater-obsessed suburban Jewish teenager, Andy Lipman (Noah Robbins) becomes the protege of a legendary but egotistical Broadway playwright, Martin Kerner (John Glover).

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Jews On The Fringe (Festival)

08/10/2010 | Ted Merwin | Special To The Jewish Week | Theater
The plays "Abraham's Daughters," above and "Omarys Concepcion Lopez Perez Goes to Israel" present vastly different aspects of

Why are we commanded to wear fringes on our garments? They are a potent reminder of our Jewish identity but also indicate that who we are splays out into the rest of the world, and that the boundaries between us and other people can be fuzzy.

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A Holocaust-Themed ‘Dybbuk’

08/04/2010 | Ted Merwin | Special To The Jewish Week | Theater
The surrealistic play follows five Jews being deported to Auschwitz.

 It happened more than six decades ago, but the Shoah still haunts and possesses us. In British playwright and director Julia Pascal’s Holocaust-themed reworking of S. Anski’s surrealistic play, “The Dybbuk,” to be presented beginning next week by the Theater for the New City, the overtaking of a girl’s body by the spirit of her dead lover assumes new echoes and reverberations in the wake of the destruction of the Jews of Europe. 

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Concert’ Juggles Too Much

07/20/2010 | George Robinson | Special To The Jewish Week | Theater
French actress Melanie Laurent stars in Radu Mihaileanu’s “The Concert” as a violinist soloing with an unlikely orchestra.

Radu Mihaileanu has set himself an increasingly difficult task.

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Putting God On The Couch

07/20/2010 | Ted Merwin | Theater
Martin Rayner, left, as Sigmund Freud and Mark H. Dold as C.S. Lewis in Mark St. Germain’s “Freud’s Last Session.” Kevin Sprague

He called himself a “godless Jew” and spent much of his career trying to demonstrate that religion is an illusion, and religious belief a neurosis. Did Sigmund Freud ever question his own atheism?

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