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Arts & Culture | Theater

I.L. Peretz, Melody Maker

11/09/2010 | Ted Merwin | Theater
French mime and performance artist Rafael Goldwaser stars in Peretz plays at the Folksbiene.

He may not have achieved the popularity of his fellow Yiddish writer, Sholom Aleichem, but I. L. Peretz (1852-1915) was also a heavyweight of Yiddish literature at the turn of the 20th century. While the author of the “Tevye” stories was known for his folksy brand of humor, Peretz was inspired by chasidic folklore to express the mystical resonances in Jewish tradition.

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A Jewish Prophet At The Vatican

11/02/2010 | Ted Merwin | Special To The Jewish Week | Theater
Abraham Joshua Heschel

At the height of the Vietnam War and the civil rights movement, America’s most prominent rabbi, Abraham Joshua Heschel, embarked on a secret mission to Rome.

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Humanizing The Gaza War

09/28/2010 | Eric Herschthal | Staff Writer | Theater
Lawrence Wright, below, in scene from his one-man show “The Human Scale.” Kidnapped IDF soldier Gilad Shalit, whose photo is pro

 Last spring, Lawrence Wright, a Pulitzer Prize-winning reporter for The New Yorker, approached David Remnick, the magazine’s editor, about writing a story on the chances for peace between Israelis and Palestinians. Most editors would jump at any story idea by big-name writer, but The New Yorker has luxuries other magazines don’t.

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From Lesbian Intermarried Moms To Groucho Marx

09/28/2010 | Ted Merwin | Special To The Jewish Week | Theater
“The Most Ridiculous Thing You Ever Hoid” recreates a Marx Brothers radio show from 1932, complete with the antics and energy of

OK, they may not be “Fiddler on the Roof.”

But several new musicals debuting at the New York Musical Theater  Festival are taking on Jewish themes and characters in a big way.

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Caught In The Crossfire In Belfast

09/15/2010 | Ted Merwin | Theater
Paul Kennedy in “This is What We Sang,” about Jews in Northern Ireland.

As the rest of our society turns toward Halloween, we brave our own demons on Yom Kippur, in a particularly Jewish way that points toward the possibility of redemption. In Gavin Kostick’s new play, “This is What We Sang,” presented at the Synagogue for the Arts in Tribeca, five generations of a Jewish family in Belfast search their souls on the Day of Atonement to come to terms with the tangled, century-long past of their people and their region.

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Leaving The Bronx

09/07/2010 | Ted Merwin | Theater
“A Tomato Can’t Grow in the Bronx” playwright Gary Moregenstein: From city to suburbs.

‘The longest journey in the world,” Norman Podhoretz once ruefully noted, “is the journey between Brooklyn and Manhattan.”

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