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Arts & Culture | Theater

Wedding Bell Blues

05/03/2011 | Ted Merwin | Theater
Nikki Iliopoulou, left, and Debra Zane in scene from Hanoch Levin’s black comedy “Winter Wedding.”

If what you don’t know won’t hurt you, how far should you go to keep yourself in the dark? In Hanoch Levin’s black farce “Winter Wedding,” the members of a benighted Russian Jewish family are willing to do anything, including commit murder, to blind themselves from learning that a relative has died on the eve of a long-awaited family wedding. Directed by David Willinger, the play opens this weekend at the Theater for the New City in the East Village.

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Sour Notes

04/27/2011 | Ted Merwin | Special To The Jewish Week | Theater
Israela Margalit, right, and Lori Prince,above, who plays the pianist in “First Prize.”

Classical music offers spiritual transcendence for performers and audience members alike. But as the distinguished Israeli pianist and playwright Israela Margalit suggests in her loosely autobiographical new play, “First Prize,” the classical music world is also saturated with much that is sordid and soul-destroying. “First Prize,” which begins previews this weekend at the Arclight Theatre on the Upper West Side, features music from Margalit’s own celebrated recordings with some of the world’s greatest orchestras.

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My Brother The Chasid

04/18/2011 | Ted Merwin | Theater
Brother act: Will Allen and Joseph Sousa in scene from Sousa’s “Teeth of the Sons.” Jason Zimbler

Secular Jews often embrace Orthodoxy, and they do so for a variety of spiritual and psychological reasons. But when newfound piety creates a holier-than-thou attitude, family conflicts are typically in store. In Joseph Sousa’s first play, “Teeth of the Sons,” now being produced by the Barefoot Theatre Company in the West Village, two brothers find their relationship sorely tested one when one brother becomes a chasid.

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Preparing For The Inevitable

04/05/2011 | Ted Merwin | Special To The Jewish Week | Theater
Ronny Wasserstrom, above, stars as the title character in “Mr. M.” The production at the Theater for the New City.

Waiting for the unknown can be filled with terrors of its own. In “Mr. M,” a new work by Vit Horejs’ Czech-American Marionnette Theater, live actors and puppets combine to tell the story of a Czech Jew (Ronny Wasserstrom) during the Second World War who lives in such dread of being summoned by the Nazis that he takes on physical trials to prepare himself to undergo deprivation and torture. Adrienne Cooper performs Yiddish songs live as part of the production, which will be presented at both the Theater for the New City and at the JCC in Manhattan.

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Second Avenue Runs In The Family

03/29/2011 | Eric Herschthal | Staff Writer | Theater
In “The Thomashefskys,” Michael Tilson Thomas, recounts a good part of the history of Yiddish theater.

The triple-barreled name Michael Tilson Thomas brings to mind gentility, aristocracy even. In fact, it is sort of prophetic: the real Michael Tilson Thomas is one of America’s blue-chip composers and conductors, a debonair figure whose elegant, long limbs and silver-draped hair suit the name well.

But if Thomas had had it his way, his name would have been something quite different: Michael Thomashefsky. “Thomashefsky” was the surname that of his paternal grandparents, whose names are synonymous with American Yiddish theater.

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Mary, Quite Contrary

03/15/2011 | Ted Merwin | Theater
Scene from Michele A. Miller’s slapstick comedy “Mother of God!”

Jewish mothers are a staple of Jewish humor, but as freewheeling as Jewish mother jokes may get, they do not typically relate to Mary, mother of Jesus. Now comes Michele A. Miller’s slapstick comedy, “Mother of God!,” in which what Christians deem the “greatest story ever told” is reframed as the tale of a dysfunctional Jewish family in ancient Nazareth. The play opened last week at the Richmond Theater on East 26th Street.

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