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Arts & Culture | Theater

Dreamland, With Puppets

11/15/2011 | Ted Merwin | Special To The Jewish Week | Theater
Puppets and projections play major roles in “Deathscape.”

‘In dreams,” the title of Delmore Schwartz’s classic short story goes, “begin responsibilities.” The protagonist of Misha Shulman’s surrealistic new play, “Deathscape,” would certainly agree. The playwright’s stand-in, Me (Matthew Cabbil), undertakes a mission to find the Drug Man, who is in possession of a narcotic that brings the user in touch with everything that he is in denial of.

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A Classroom Clash Of Cultures

11/01/2011 | Ted Merwin | Special To The Jewish Week | Theater
The universality of human experience, says Sloan, above, can lead to cross-cultural understanding.

New York is reborn every day through the collision of cultures, producing new fusions and syntheses. In performance artist Judith Sloan’s new one-woman show, “Yo Miss! Teaching Inside the Cultural Divide,” an intrepid Jewish teacher weaves documentary, poetry, autobiography and music from her searing encounters with immigrant, refugee and incarcerated youths. With music direction by famed klezmer trumpeter Frank London, the show features musicians Adam Hill and MiWi LaLupa performing a smattering of Jewish, Arabic and Chinese songs, along with hip hop and polka.

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Burns, Baby, Burns

10/25/2011 | Ted Merwin | Special To The Jewish Week | Theater
A cigar and a one-liner: Joel Rooks as George Burns in “Say Goodnight, Gracie.” Scott Myers

With the decline of the comedy duo, the straight man no longer plays a prominent role in our culture. But in Rupert Holmes’ “Say Goodnight, Gracie,” the revival of the one-man show that opens Sunday afternoon starring Joel Rooks as funnyman George Burns, the king of straight men gets his due.

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A Rabbi’s Moral Choices

10/19/2011 | Ted Merwin | Special To The Jewish Week | Theater
Ella Dershowitz, the daughter of Harvard Law professor Alan Dershowitz, makes her N.Y. theatrical debut in Alan Lester Brooks.

Trauma leaves nothing whole. In Alan Lester Brooks’ new play, “A Splintered Soul,” a maverick rabbi in postwar San Francisco risks his life and career to resettle Jewish refugees from the Holocaust. Yet aiding others plunges the rabbi into a world of agonizing moral choices, in which things are not always what they seem. “A Splintered Soul” opens Off Broadway Oct. 21 at Theater Three in Midtown with a cast that features Ella Dershowitz, daughter of celebrity lawyer Alan Dershowitz, in her New York theatrical debut.

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When Your Family Wants A Rewrite

10/18/2011 | Eric Herschthal | Staff Writer | Theater
“It’s really about children finding their place within a family,” Bar Katz says of his new play.

If the generally liberal New York theater crowd has gotten a little tired of David Mamet, who with his acerbic wit and pugilistic mien now espouses mostly conservative views, it need not worry. There is another Jewish playwright with an equally dark and comic wit who is just breaking through. He is David Bar Katz, author of “The Atmosphere of Memory,” a play about a highly dysfunctional family, and he is one of the most watched mid-career playwrights in New York City.

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Death Be Not … Cruel

10/04/2011 | Ted Merwin | Special To The Jewish Week | Theater
Linda Lavin in Nicky Silver’s “The Lyons,”

Death should not be proud, as the poet John Donne warned, but it certainly can be shameless. In Nicky Silver’s new play, “The Lyons,” the patriarch of a Jewish family, about to succumb to terminal cancer, suddenly vents the hatred that he feels for his wife and children, prompting them to uncork their own vitriol at him and at each other.

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