On Tuesday, Andrea Meislin, an art dealer in New York, was on her way to Washington. Israel’s ambassador to the United States, Michael Oren, asked her to help decorate his new home, knowing that she represented some of Israel’s most prominent photographers. But Meislin, unsure of Oren’s politics and his artistic tastes, was packing light. She was bringing only her laptop for this trip, she said, which contained images of all her artwork, instead of carrying just a few select prints. She did not want to offend him with any of her own choices.
David Goldblatt, the South African photographer, can paint two portraits of his father, a Jewish shop-owner in a traditional mining town. In one, Goldblatt tells how his father would drink tea with a white Nationalist, a member of the right-wing party that staunchly defended apartheid, outside behind his men’s clothing store. “He was friends with some of them,” Goldblatt says of his father. “Many Jews were.”
Doug Chandler |
Special To The Jewish Week
The creators of “They Spoke Out: American Voices Against the Holocaust,” a new series of motion comics, can each talk about why that relatively new medium is best suited for telling the stories they chose — those of Americans who helped rescue Jews in the 1930s and ‘40s.
But perhaps no explanation is more compelling than the one offered by Neal Adams, a legend in the comic-book industry and the illustrator of the new series.
A few things immediately come to mind when you think, "Passover seder": matzah, maror, charoset, four glasses of wine. But in "Seder.Table," a cool, stark and fascinating new photography exhibit at the 92nd Street Y, none of that matters. In fact, the artist, Galia Gur Zeev, while showing several plates, people around them, and a large wooden table, doesn't even show a crumb of food.