Arts & Culture | Film

New Names, New Genres

05/03/2011 | George Robinson | Special To The Jewish Week | Film

One of the pleasant side benefits of this year’s Israel Film Festival, now in its 25th year, is a profusion of unfamiliar names and even unfamiliar genres

Love Across The Great Divide

04/27/2011 | George Robinson | Special To The Jewish Week | Film

Under ideal circumstances, marriage is hard work. Under extreme pressure, it sometimes seems impossible. Jasmin Avissar and Osama “Assi” Zatar, the young couple at the heart of Gabriella Bier’s documentary “Love During Wartime,” are under extreme pressure. She is an Israeli and he is a Palestinian. As the film, which is playing in the Tribeca Film Festival, makes abundantly clear, the pressure comes from all sides, including some unexpected ones.

Three ‘Novel’ Israeli Works

04/27/2011 | George Robinson | Special To The Jewish Week | Film

Israeli artists are as introspective as any in the world. I doubt if any filmmakers, writers, painters, musicians or composers anywhere spend as much time pondering the nature of their national identity at both the micro and macro levels.

Tribeca’s Israeli Offerings: Slash And Yearn

04/18/2011 | George Robinson | Special To The Jewish Week | Film

It would be hard to imagine two more dissimilar films from Israeli directors than the pair that are playing in the opening week of the Tribeca Film Festival, which runs through May 1. “Rabies” by Navot Papushado and Aharon Keshales, claims to be Israel’s first slasher film. Alma Har’el’s “Bombay Beach” is a documentary with some staged dance sequences, set in one of the most desolate communities in North America. Each could be read as a comment on the current condition of the Jewish state and its inhabitants or just enjoyed for its own virtues.

Julian Schnabel On ‘Miral’ And The Conflict

04/07/2011 | Eric Herschthal | Staff Writer | Film

For Julian Schnabel, the storm that followed the release of his new film, “Miral,” about a Palestinian woman who joins the first intifada, has not quite passed.

A week before the film debuted in late March, prominent Jewish groups criticized Schnabel, whose film was screened at the United Nations main hall. The American Jewish Committee, for instance, said that the film has “a clear political message, which portrays Israel in a highly negative light.”

The Aftermath Of Adolescence

03/24/2011 | George Robinson | Special To The Jewish Week | Film

No amount of thoughtful planning can trump the serendipity of chance. Consider this juxtaposition: Last week, two Jewish-related films opened in New York that dealt with children under pressure. This week, the 40th annual New Directors/New Films event opens and among the films programmed are two Jewish-related films about young adults dealing with the aftermath of adolescence.