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Arts & Culture | Film

A Holocaust Documentary With A Difference

06/30/2010 | George Robinson | Special To The Jewish Week | Film
Chaim Maltz reflects at the Sokal train station

When the Second World War broke out, the town of Sokal, then in Poland, had a population that included 6,000 Jews. By 1944, only 30 were still alive. Fifteen of them were being hidden in an attic and a hayloft over a pigsty by Francisca Halamajowa and her daughter Helena.

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Israel’s Black Panthers Remembered

06/29/2010 | Eric Herschthal | Staff Writer | Film
A scene from “The Black Panthers (In Israel) Speak” shows a Mizrahi protest from the early ‘70s.

Shortly after Israel’s victory in the War of Independence, the Jewish state took in a mass exodus of Jews from Arab lands, first in 1949, and then again in 1956. 

Jews from Arab lands, called Mizrahim, came to Israel not because they were ardent Zionists, but because their host Arab countries, angered by the establishment of the State of Israel, had turned against them. 

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Feeling Phil Spector’s Pain

06/22/2010 | George Robinson | Special To The Jewish Week | Film
Spector, currently serving a 19-year prison sentence for murder, is the focus of a new documentary by Vikram Jayanti, “The Agony

Among the myriad ways in which Jews became Americans in the 20th century, one of the most felicitous was their involvement in the creation of popular music. The overwhelming presence of Jewish-Americans in the pages of the Great American Songbook is proverbial. Even a gilt-edged WASP like Cole Porter prided himself on “writing Jewish.”

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‘I Never Felt In My Place’

06/15/2010 | George Robinson | Special To The Jewish Week | Film
Agnes Jaoui as Agathe Villanova and Jean-Pierre Bacri in Jaoui’s “Let it Rain.”

Agnes Jaoui knows what it feels like not to fit in.

“My parents were Jews from Tunisia,” she says, sitting on the edge of the bed in a Soho hotel suite. “I was born in a suburb of Paris, but when I was 7 we moved to Paris itself. We lived in a poor and ugly block, but in a very chic arondissement [neighborhood]. So I went to very, very good schools, but it was purely by chance, because we were in this arondissement. I never felt in my place, nowhere.”

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Israel’s ‘Minority In A Minority’

06/01/2010 | George Robinson | Special To The Jewish Week | Film
The filmmaker’s grandfather, Jacob, in scenes from “The Monayer Family.”

If you don’t think that human identity is evanescent, multilayered, poly-vocal and downright confused, you probably won’t get “The Monayer Family,” a triptych of short videos by Dor Guez currently on display at the Jewish Museum.

Guez is a provocative, gifted artist who works in a variety of disciplines and media, focusing his attention on issues of multiculturalism, ethnicity and personal identity; appropriately, his own identity is as contested and complex as it is possible to imagine. The work, unsurprisingly, is the same.

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Changing Images Muddy Picture Of Zionism, Israel

05/26/2010 | Eric Herschthal | Staff Writer | film
Two images of Israel, two generations: “Exodus” and “Waltz with Bashir.”

 In 1960, the film “Exodus” was nominated for three Academy Awards. Based on Leon Uris’ novel about the founding of Israel, it seems hard to believe that such a film, drenched in Jewish military heroism and suffused with Holocaust imagery and Arab aggression, could have such broad and unambiguous appeal. But it did. It not only won an Oscar, it also starred a Hollywood icon, Paul Newman, as the heroic Jewish fighter, and even made a commendable showing at Cannes.

But almost a half-century later, a very different film about Israel won an Oscar nomination. “Waltz With Bashir,” (2008) directed by the Israeli Ari Folman, put a spotlight on the massacres at the Sabra and Shatilla refugee camps during the first Lebanon War.  

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