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Arts & Culture | Film

Answering The ‘Nuremberg’ Call

09/21/2010 | George Robinson | Special To The Jewish Week | Film
A cameraman films during the Nuremberg Trials.

The road from Auschwitz to Nuremberg is a twisting, uncertain one. Some of the Nazis who walked it did so in shackles, much deserved. For others, it was a liberation in the most profound sense. Ernest Michel was one of those lucky few.

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Film Of Cantors’ Poland Trip Goes Flat

09/16/2010 | George Robinson | Special To The Jewish Week | Film
“100 Voices: A Journey Home”

I feel utterly certain that the new documentary “100 Voices: A Journey Home” is the most exasperating film I will see in 2010. The film, which documents the concert tour of a hundred members of the Cantorial Assembly to Poland, dashes all over the place, offering quick histories of the American cantorate, the Krakow Jewish Culture Festival, the Yiddish theater, and the personal stories of several cantors and musicians whose families survived the Shoah.

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Being Ruth Gruber

09/08/2010 | George Robinson | Special to the Jewish Week | Film
Ruth Gruber

Ruth Gruber, the subject of a wonderfully economical and crisp documentary, "Ahead of Time," is a magnificent one-of-a-kind figure in 20th-century Jewish history. Gruber is the product of, she recounts with a grin, "a shtetl called Brooklyn. … Everybody there was Jewish." She was a prodigy who entered New York University at 15 and earned a doctorate from the University of Cologne at 20. But the attractions of the academy couldn't compete with the turmoil of worldwide economic depression, the New Deal at home and the rise of Fascism in Europe.

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Hitler, The Film

08/31/2010 | George Robinson | Special To The Jewish Week | Film
A German child holds a Hitler puppet in Hans-Jurgen Syberberg’s “Hitler: A Film From Germany.”

The 1970s was the age of heroic avant-gardism, a period of out-sized works — the lengthy “operas” of Robert Wilson, the monumental portraits of Chuck Close, Thomas Pynchon’s “Gravity’s Rainbow,” William Gaddis’ “J.R.” It was a time of omnivorous works that strove to include the entire world — self-referential, bombastic, difficult endurance tests fueled by a frequently thrilling blend of audacity, encyclopedic knowledge and testosterone — nowhere more so than in film, and nowhere in film more than in the films of Hans-J

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The Jewish Side Of Judy (Cohen) Chicago

08/24/2010 | Eric Herschthal | Staff Writer | Film
Judy Chicago, born Judith Sylvia Cohen.

In 1984, the artist Judy Chicago was at party where a poet read a piece about the Holocaust.

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Being The Safdie Brothers

08/17/2010 | George Robinson | Special To The Jewish Week | Film
Brother act: Josh, left, and Benny Safdie.

What makes a filmmaker’s work Jewish?

Benny Safdie, at 24 the younger half of a filmmaking duo with his brother Josh, earnestly asserts that the Jewishness of the two pervades their work, and this critic tends to agree with him. That work is the subject of a current program at BAMCinemathek that includes not only their two features and many shorts but also films that influenced them.

Safdie also readily admits that he’d be hard put to identify Jewishy specifics from their small but significant output.

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