Artist helps clients mark pivot points, from bar mitzvah dreams to a dying wish.
Lisa Keys / JTA
Lori Loebelsohn enters other people’s lives at pivotal moments: a marriage, a milestone birthday, a bat mitzvah. Armed with a pen and a notebook, she discusses intimate details about the inner lives of those she has just met: their passions, their most significant memories, their dreams.
Forty years after Simon Dinnerstein completed his monumental painting, the complex work is getting a fresh look.
Germany was not Simon Dinnerstein’s first choice for a Fulbright grant. But he didn’t have much of a choice. It was 1970, and the Brooklyn-based artist, then 27, was barely making a living. He first applied to work with a noted Spanish painter, only listing Germany, to study the art of engraving in the birthplace of Dürer, as a back up.
Four NY Jewish Film Festival works explore tensions in the creative life.
Special To The Jewish Week
The price one pays for being an artist is frequently sizeable. The call to the arts is often rooted in alienation and a sense of difference. To follow that path is to risk ostracism and penury. And other than your fellow artists, who else will understand your choices?