Arieh Saposnik

Changing Images Muddy Picture Of Zionism, Israel

For young American Jews, it’s a long way from ‘Exodus’ to the separation wall.

05/26/2010
Staff Writer

 In 1960, the film “Exodus” was nominated for three Academy Awards. Based on Leon Uris’ novel about the founding of Israel, it seems hard to believe that such a film, drenched in Jewish military heroism and suffused with Holocaust imagery and Arab aggression, could have such broad and unambiguous appeal. But it did. It not only won an Oscar, it also starred a Hollywood icon, Paul Newman, as the heroic Jewish fighter, and even made a commendable showing at Cannes.

But almost a half-century later, a very different film about Israel won an Oscar nomination. “Waltz With Bashir,” (2008) directed by the Israeli Ari Folman, put a spotlight on the massacres at the Sabra and Shatilla refugee camps during the first Lebanon War.  

Two images of Israel, two generations: “Exodus” and “Waltz with Bashir.”
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